January 11th, 2014

January 11th, 2014

Final

January 11th, 2014

January 11th, 2014
Cox Reservation, Essex Greenbelt
Essex, MA
Oil on Canvasboard, 16 x 20 in

It was a mild but wet day, so much “heavy mist” (or “rain” as most people refer to it) that my paint, liberally imbued with “mist” (i.e., water) would not stick to the board, because the board too was wet and oil and water make a career out of not mixing.

Plus when I got there, the overall impression the fields and marsh gave me was “ick.” All but the filthiest layer of snow had melted, all there was to see was dirty wet snow, dead grass and melting ice.

However, once I started trying to paint it, I started to see so much beauty in all of it – no doubt thanks to the stark contrast between it and the sludgefest that was puking it’s way into being on my canvas. This was clearly going to be one of those paintings where I just have to slog and slog through ugly, trusting in the unlikely possibility that in due course I would come out on the other side (beauty.) I stopped here, due to being cold and wet, when the colors were matched but no details (grasses, birdhouse) or highlights had been laid in. I’ll try to finish it off, one way or another, this afternoon.

p.s: If you look closely, you’ll see my easel is actively, literally falling apart! My teacher has had the same easel for 30 years, I’m lucky if mine last a year. I have a replacement that will hopefully work, I just have to build a shelf into it for my palette before I can use it.

October 19th, 2013

October 19th, 2013

Finished

October 19th, 2013
Cox Reservation, Essex MA
Oil on Canvas, 18 x 24 in

When I began this painting, the sky was bright blue and the sun was high – as a result, the bleached log was blue (as in the painting) from reflecting the sky. As the day wore on, the sky changed as did all the colors. I had the same struggle I keep having – I’m painting with the conscious intention of making it look fairly real, but I’ve chosen the scene because I love the rhythm I see in the design. You can’t serve two masters, as they say, and I keep getting torn between the literal and the ornamental – and making a mess. I was happy, though, taking this picture on site, that the color of the leaves (oak) is so well matched you can hardly tell where the painting ends and the ground begins. I’ve decided I may do 10 mins of work on it tomorrow, maximum. The worst thing I can do is overwork these things (see last week’s.)

NB- It is now Sunday, and I’ve decided to leave it as is. Yesterday David Curtis told me it was better than I thought, and that I should go home, get something to eat, get some sleep, and look at it again in the morning. I did, and I like it enough to not want to take the risk of “improving” it.

October 19th, 2013
Unfinished

October 12th, 2013

October 12th, 2013

October 12th, 2013
Sumac Attack
Cox Reservation, Essex, MA
Oil on Canvasboard, 16 x 20 in

This painting needs a little settling down, but I’m posting it as it stands for the time being. It was a dark, overcast day and the sumac was festive among the bare bushes it grew in. I was looking through the leaves and branches to a stone bench nestled within.

Sept 21st, 2013

Sept 21st, 2013

Sept 21st, 2013
Cox Reservation, Essex Massachusetts
Oil on Canvas, 12 x 16 in
(sold)

This is a “before” picture – parts of the painting are ok, parts have to be fixed. It was a beautiful day out, hopefully in time the painting will be a better testament to the fact. Update – Added a bit of vegetation in the foreground I had missed initially. It helps temper the color of the water which was accurate but seemed unlikely when the violet tone (a result of the clouds directly above which are invisible in the painting) was the dominant note.

September 14th, 2013

September 14th, 2013

September 14th, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvas, 20 x 24 in

This is a long way from done, but I am posting it as it stands right now because I left the field today just teeming with shame and frustration, I thought the painting was so horrible that I couldn’t do anything but race to my car and try to drive away and forget. I took its picture (in a dark driveway, so don’t take the colours and light too literally) as a sort of punishment to myself, so I could look at it all night on my phone and brood about my failure. But when I looked at it on my phone, prepared for the weeping and gnashing of teeth these things generally warrant, I just thought “Oh. Huh. Well, that’s actually a little pretty. Maybe I overreacted.” There is still plenty I can see to improve. But it’s nice to be free of some of the drama I had bound myself in.

September 7th, 2013

September 7th, 2013

September 7th, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvasboard, 16 x 20 in

This painting is a testament to how comfortable I can be with chaos. I believe that ultimately order will emerge, and in the meantime, I’m content to sit within the friction between tones. There’s a rhythm to this painting. I was looking into a tangle of vines, there was a stunning cluster of glowing red leaves. The sun filtering into the bush resulted in some pretty incredible jewel tones. It’s the surprise of that incredible glow that struck me, and I think that’s why I’m not interested in making that firey centre look more literal. I captured the surprise. I captured what happens when I look into a tangle of such beauty as this – the devolution of form to the intrusion of glorious light. I have yet to get a really good photo of it, I’ll keep trying and update.

NB – Just added this to “Matching Scene to Painting

September 3rd, 2013

September 3rd, 2013

September 3rd, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvas, 12 x 16 in
(sold)

My spot this time was predicated on the painting that was being done of me as I painted. The colors at the marsh this time of year are surreal, and lovely.

August 31st, 2013

August 31st, 2013

August 31st, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvasboard, 16 x 20 in
(sold)

I chose my spot this Saturday based on the fact that it began to pour almost as soon as I got out to hike around looking for a spot. The scrub sumacs I stood under at first were poor shelter, but a tall and dense elm (?) I came to kept me relatively dry. Therefore, this was the view from that elm.

August 24th, 2013

August 24th, 2013

August 24th, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvas, 18 x 24 in

It was a day of multiple missed connections, in the human sphere, but I communed cheerfully with the woods around me.

August 16th, 2013

August 16th, 2013

August 16th, 2013
Cox Reservation, Essex Greenbelt, Essex MA
Oil on Canvas, 16 x 20 in
(sold)

This was painted in the afternoon, while the sun was gradually weakening and the colors of the marsh were glowing. I know I say this all the time, but I really need to retake this photo. The sky looks so washed out in the picture but in reality it’s one of the best parts of the painting. I did this just as a sort of palette cleanser, or an exercise in the familiar, to practice a little before the “wet paint” event the next day.